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Ted Berrigan[Ted_Berrigan]

 
  Ted_Berrigan

Oraş de reşedinţă: Providence, Rhode Island
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Biografie Ted Berrigan

Pagina personală web Ted Berrigan


 
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O Anumită Plantă a Razei de Soare :
Poezie 2010-01-13 (6909 afişări)

Poem Personal # 9 : din Locul nimănui. Ant. de poezie americană contemporană
Poezie 2010-06-17 (5005 afişări)

Sonnet 34 : from The Sonnets (1964)
Poezie 2010-06-17 (5618 afişări)


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Biografie Ted Berrigan

A fost unul dintre cei mai importanți poeți ai generației lui, faimos nu numai pentru scrisul său invocator din The Sonnets (1964) dar și pentru poeziile sale lirice ulterioare. A fost un profesor și un model pentru mulți poeți, în diferite universități, cât și în casa lui din Manhattan s Lower East Side. A murit la 4 iulie 1983.

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Ted Berrigan (15 November 1934 – 4 July 1983) was an American poet.

Berrigan was born in Providence, Rhode Island, on November 15, 1934. After high school, he spent a year at Providence College before joining the U.S. Army in 1954 to serve in the Korean War. After three years in the Army, he finished his college studies at the University of Tulsa in Oklahoma, where he received a B.A. in English in 1959. He received his M.A. from Tulsa in 1962. Berrigan was married to Sandy Berrigan, also a poet, and they had two children, David Berrigan and Kate Berrigan. He and his second wife the poet Alice Notley were active in the poetry scene in Chicago for several years, then moved to New York City, where he edited various magazines and books.
The poet Frank O'Hara called Berrigan's most significant publication, The Sonnets, “a fact of modern poetry.” A telling reflection on the era that produced it, The Sonnets beautifully weaves together traditional elements of the Shakespearean sonnet form with the disjunctive structure and cadence of T. S. Eliot’s The Waste Land and Berrigan’s own literary innovations and personal experiences. The product is a composition, in the words of Berrigan’s editor and second wife Alice Notley, “[that is] musical, sexy, and funny.”

Berrigan was initially drawn to the sonnet form because of its inherent challenge; in his own words, "the form sort of [stultifies] the whole process [of writing]." The procedure that he ultimately concocted to write The Sonnets is the essence of the work’s novelty and ingenuity. After attempting several sonnets, Berrigan decided to go back through what he had written and take out certain lines, one line from each work until he had six lines. He then went through the poems backwards and took one more line from each until he had accumulated six more lines, twelve lines total. Based on this body of the work, Berrigan knew what the final couplet would be; this process became the basis for The Sonnets. Addressing claims that the method is totally mechanical, Berrigan explains that some of the seventy-seven sonnets came to him "whole," not needing to be pieced together. The poet’s preoccupation with style, his concern for form and his own role as the creator as evinced by The Sonnets pose a challenge to traditional ideas about poetry and signify a fresh and innovative artistic approach.

The book recognizes the eternal possibility for invention in a genre seemingly overwhelmed by the success of its traditional forms[citation needed]. By imitating the forms and practices of earlier artists and recreating them to express personal ideas and experiences, Berrigan demonstrates the potential for poetry in his and subsequent generations. As Charles Bernstein succinctly comments, “Part collage, part process writing, part sprung lyric, Ted Berrigan’s The Sonnets remains…one of the freshest and most buoyantly inspired works of contemporary poetry. Reinventing verse for its time, The Sonnets are redolent with possibilities for our own.”

Berrigan died on July 4, 1983, following years of health problems compounded by amphetamine use and an avid addiction to diet pills.

Selected publications

The Sonnets (1964)
Living With Chris (1965)
Some Things (1966)
Bean Spasms, with Ron Padgett and Joe Brainard (1967)
Many Happy Returns (1967)
Peace: Broadside (1969)
Memorial Day, with Anne Waldman (1971)
Train Ride (1971)
Back In Boston Again, with Ron Padgett and Tom Clark (1972)
The Drunken Boat (1974)
A Feeling For Leaving (1975)
Red Wagon (1976)
Clear The Range (1977)
Nothing For You (1977)
Yo-Yo's With Money, with Harris Schiff (1979)
Carrying a Torch (1980)
So Going Around Cities: New & Selected Poems 1958-1979 (1980) (ISBN 0-912652-61-6)
In a Blue River (1981)
A Certain Slant of Sunlight (1988)
Selected Poems (1994)
Great Stories of the Chair (1998)
The Collected Poems of Ted Berrigan (University of California Press, 2005) NOH (1969)




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